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One night on TV is worth weeks at the Paramount

Musicians and Opportunity in Early Television, 1948-55

Bibliographic Data

ID5087828
AuthorsMurray Forman (corresponding author)
Year2002
Volume21
Issue3
Pages249-276
Publication date2002-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143002002179
OpenAlexW2099805378
LanguageEN
Citations received3
References cited3

This article addresses a gap in the historical study of music on television by revisiting North American popular music in conjunction with the broadcast medium's early stage of development. Central to its analysis is the fact that music has always been deemed essential to the character and success of television. Emphasising the circulating discourses of 'opportunity', the article isolates the ways in which some musicians and others in various sectors of the music industry regarded the new medium as a positive influence at its inception. Among key considerations at the time were issues of musical performance style and aesthetics, repertoire, promotional capabilities, career enhancement, and additional leisure options for audiences

Advertising · Art · Business · Character (mathematics · Conjunction (astronomy · Key (lock · Literature · Media studies · Music education · Music industry · Musical · Popular music · Repertoire · Sociology · Style (visual arts · Visual arts · Cinema and Media Studies · Computer Science · History · Music History and Culture · Theater, Performance, and Music History

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  • Make Room for TV

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  • The Musicians and Petrillo

    C L Christenson, Robert D Leiter et al.•Industrial and Labor Relations…•1954

Unique citing works3
Citations per year0,13
Citation span2003 - 2021 (19)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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