Signum triciput
Art, Idea, History
Bibliographic Data
| ID | 5108697 |
|---|---|
| Authors | Eric Darragon (corresponding author) |
| Year | 1999 |
| Volume | 14 |
| Issue | 14 |
| Publication date | 1999-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.2385 |
| OpenAlex | W2015593727 |
| Language | EN |
The translation of Erwin Panofsky’s book, published in Leipzig in 1930, and reissued in Berlin in 1987, entails an outlook that has certainly been introduced as a basic factor for reassessing the way iconography is accepted in France--and above all the Germany of Panofsky and all those who, together with him, made his oeuvre possible. The discovery of the challenges of this kind of analysis is a gradual process. The undertaking was embarked upon in 1967 with the Essays in Iconology published
Art · Art history · Iconography · Iconology · Art, Politics, and Modernism · Philosophy · Photography and Visual Culture · Visual Culture and Art Theory
| Highly cited | No |
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