Moods and the Meaning of Philosophy
Bibliographic Data
| ID | 5111457 |
|---|---|
| Authors | Lars Svendsen, Lars Fr H Svendsen (corresponding author) |
| Year | 2012 |
| Volume | 43 |
| Issue | 3 |
| Pages | 419-431 |
| Publication date | 2012-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | New Literary History (JOURNAL) |
| Journal identifiers | ISSN: 0028-6087 • E-ISSN: 1080-661X |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/nlh.2012.0033 |
| OpenAlex | W2078171520 |
| Language | EN |
| Citations received | 2 |
| References cited | 4 |
Following Heidegger, I argue that our understanding is always attuned in some way, and our attunement always contains an understanding. Every philosophical investigation will therefore be carried out within or be subject to a certain mood, even if the philosopher may not be aware of this. Is there a particularly prevalent mood in contemporary philosophy? I argue that it is in fact boredom. An airport becomes a place of boredom when it fails to provide you with what you want from it: the opportunity to enter an airplane and leave it. Along similar lines, a philosophical text becomes boring when it fails to provide you with what you need from it. It lacks a purpose. What Kant described as "pedantry," a self-contained and formalist style of writing, has become the norm in academic philosophy. In order to truly matter, philosophy must maintain its relation to the pre- and postphilosophical, to its origin in problems that have an emotional impact on us and to its possibilities for transforming our lives. Such a philosophy is possible
Aesthetics · Art · Attunement · Boredom · Epistemology · Literature · Meaning (existential) · Metaphysics · Philosophy of mind · Relation (database) · Style (visual arts) · Computer Science · Emotions and Moral Behavior · Mind wandering and attention · Phenomenology and Existential Philosophy · Philosophy
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 2014 - 2014 (1) |
| Citation velocity | historical |
| Highly cited | No |