Dados Bibliográficos

AUTOR(ES) Matevž Pesek , Matija Marolt , G. Strle , S. Radhakrishnan , J. H. Muirhead
AFILIAÇÃO(ÕES) Znanstvenoraziskovalni Center Slovenske Akademije Znanosti in Umetnosti
ANO 2018
TIPO Book
PERIÓDICO Anthropological Notebooks
ISSN 1408-032X
E-ISSN 2350-482X
EDITORA Slovene Anthropological Society
DOI 10.3986/Traditio2018470204
CITAÇÕES 1
ADICIONADO EM 2025-08-14
MD5 e8e7e6af4e8b248e41e2b69c25cb1bf2

Resumo

The article presents an experimental study of the emotional and color perception of music, focusing on folk music in comparison with other musical genres. The analysis showed that some musical emotions are conveyed differently between different genres. Overall, Folk genre had the most balanced distribution of the emotions used in the ratings, along with Pop and Rock. On the other hand, Punk and Metal had over 40% of their ratings represented by only two emotions, liveliness and anger. This is further reflected in the emotioncolor associations. The presented findings point to the genre specificity of musical emotions. *** Prispevek predstavlja eksperimentalno raziskavo čustvenega in barvnega zaznavanja glasbe, s poudarkom na primerjavi med ljudsko glasbo in drugimi glasbenimi zvrstmi (žanri). Analiza rezultatov je pokazala, da so ob poslušanju glasbe različnih glasbenih zvrsti čustvene zaznave pogosto različne. Najbolj uravnotežena in raznovrstna je porazdelitev čustev pri popu, rocku in ljudski glasbi, najmanj pa pri panku in metalu, pri katerih več kakor 40 % glasbenih primerov prevzemata le dve čustvi, to sta živahnost in jeza. Ugotovitve se izražajo tudi v čustveno-barvnih asociacijah. Rezultati kažejo na žanrsko specifičnost 'glasbenih' čustev.

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