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Traffic, Gender, Modernism

Bibliographic Data

ID5126172
AuthorsAndrew Thacker (De Montfort University, corresponding author)
Year2006
Volume54
Issue1_suppl
Pages175-189
Publication date2006-10-01
Open AccessYes
TypeARTICLE
VenueThe Sociological Review (JOURNAL)
Journal identifiersISSN: 0038-0261 • E-ISSN: 1467-954X
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1111/j.1467-954x.2006.00643.x
OpenAlexW1491576537
LanguageEN
Citations received5
References cited6

This article considers how the tropes of movement and flux in modernism can be understood by connecting them with the material technologies of transportation. The author proposes that the voyager is the typical figure of early twentieth century modernism in Britain. The author offers a deliberate contrast to the depiction of the automobile in contemporary American culture and shows the impact of changes in the use of material space by automobiles upon human relationships. For example, it was estimated in the early 1990s that three-quarters of cars entering London remain parked there all day. The social organization of street transportation thus stifles the very aspect of human experience it was meant to enable: the desire to move to some other place and the distance required for all desire to operate, is thwarted and time itself is copiously but futilely consumed

Aesthetics · Art · Depiction · Literature · Modernism (music) · Post modernism · Postmodernism · Sociology · Space (punctuation) · Visual arts · Art, Politics, and Modernism · Landscape and Cultural Studies · Philosophy · Travel Writing and Literature

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Citations per year0.25
Citation span2006 - 2024 (19)
Highly citedNo

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