Dada
Un Théâtre International De Variétés Subversives
Bibliographic Data
| ID | 5128757 |
|---|---|
| Authors | Denis Marleau (corresponding author) |
| Year | 1986 |
| Volume | 19 |
| Issue | 2 |
| Pages | 13 |
| Publication date | 1986-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Études littéraires (BOOK_SERIES) |
| Journal identifiers | ISSN: 0014-214X • E-ISSN: 1708-9069 |
| Publisher | Consortium Erudit (PUBLISHER • CA) |
| DOI | 10.7202/500753ar |
| OpenAlex | W2067800035 |
| Language | EN |
The destructive and iconoclastic action of Dada aimed primarily at freeing poetic language from its traditional tram mets, in order to afford it ri tuai expression on the stage. Dadast thtre, through its use of such devices as variety, collage, manifestos, etc., parallels contemporary crative experiments such as the happening and improvisation
| Highly cited | No |
|---|