Fashion and Postcolonial Critique
Bibliographic Data
| ID | 5132698 |
|---|---|
| Authors | Céline Enanga (corresponding author) |
| Year | 2019 |
| Publication date | 2019-11-28 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.53906 |
| OpenAlex | W3107968651 |
| Language | EN |
| Citations received | 22 |
Fashion and Postcolonial Critique est le 22e volume de la série d’ouvrages de l’Académie des beaux-arts de Vienne. Il ne réunit pas moins de vingt-six contributeurs autour de trois axes principaux : la décolonisation des archives sur la mode à l’échelle globale ; les conditions de la postcolonialité ; la mise en regard des histoires de la mode avec des approches critiques contemporaines. L’intention au fondement de ce volume émerge lors du symposium intitulé Re-visioning Fashion Theories : Po
Aesthetics · Art · Sociology · Fashion and Cultural Textiles
Experiencing digital fashion archives through a decolonial lens
"Fashion's Relation to the "Geo
Geographies of Fashion and Style
Feather-Work
Interconnection of Fashion and Gender as Mechanisms of Self-Expression and Self-Identification in Modern Society
Fashioning Wellbeing Through Craft
Fashion’s Soft Power in Nineteenth-Century France
Made in Italy
Rethinking fashion photography
The Politics of Transnational Fashion
Cosmotechnics of Fashion
Conceptualizing Australian First Nations Fashion, Art and Style
Artful Decoloniality
Shades and Lengths of Change
Fashion Statements in a Site of Conflict
Radical Pedagogies
Fashion and the Phantasmagoria of Modernity
Castoff from the West, pearls in Kantamanto? A critique of second‐hand clothes trade
Museum institutions and fashion
In/exclusion in fashion discourse
Transnational Chinese Beautyscapes
Communication politique et symbolique vestimentaire au Cameroun
| Citations per year | 3.67 |
|---|---|
| Citation span | 2020 - 2025 (6) |
| Highly cited | No |