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Nella Larsen Reconsidered

The Trouble with Desire inQuicksandandPassing

Bibliographic Data

ID5134841
AuthorsRafael Walker (California University of Pennsylvania, corresponding author)
Year2016
Volume41
Issue1
Pages165-192
Publication date2016-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMELUS Multi-Ethnic Literature of the United States (JOURNAL)
Journal identifiersISSN: 0163-755X • E-ISSN: 1946-3170
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/melus/mlv083
OpenAlexW2289739367
LanguageEN
Citations received2
References cited25

This paper challenges the pervasive tendency to treat Larsen’s work as explorations of black women’s lives and examines the distinctly biracial perspective that her fiction attempts to elaborate. I argue that her novels employ narratives of frustrated desire in order to show the impossibility of the racially liminal subject in a society that thinks in black and white. In developing this argument, the essay explains the aesthetic and theoretical implications that ensue from taking this biracial perspective seriously. For instance, it shows how each novel mobilizes a distinct ontology of biracial identity—biraciality as synthesis in one case ( Quicksand [1928]) and biraciality as oscillation in the other ( Passing [1929]). In its discussion of the aesthetics of Larsen’s fiction, the essay demonstrates how this shift in racial perspective enables us to reassess her endings, which vexed critics in her day and continue to vex readers in ours (including the scholar arguably most responsible for Larsen’s current prominence, Deborah E. McDowell). Aware that aversion to the essentialist “tragic mulatta” trope has been one of the primary impediments to concentrating on biraciality in Larsen’s work, I offer ways of understanding Larsen’s focus on biraciality as more—rather than less—subversive of American racial ideology than previous studies suggest.

Aesthetics · Ambivalence · Argument (complex analysis) · Art · Essentialism · Identity (music) · Ideology · Impossibility · Liminality · Literature · Narrative · Perspective (graphical) · Politics · Psychoanalysis · Sociology · Subject (documents) · Trope (literature) · American and British Literature Analysis · Gender Studies · Law · Philosophy · Poetry Analysis and Criticism · Psychology · Race, History, and American Society

  • Mrs. Don’t Care’

    Matty Hemming•Medical Humanities•2024

  • The Laughing “No”

    Open Access•Alec Joyner•MELUS Multi-Ethnic Literature of…•2023

  • Just looking

    Rachel Bowlby•Just looking•1985

  • Ugly Feelings

    Sianne Ngai•Ugly Feelings•2004

  • Reconstructing Womanhood

    Hazel V Carby•Reconstructing Womanhood•2025

  • Queering Helga Crane

    Keguro Macharia•MFS Modern Fiction Studies•2011

  • Quicksand and Passing

    Nella Larsen, Deborah E Mcdowell•Quicksand and Passing•1986

  • Women of the Harlem Renaissance

    Cheryl A Wall, Cheryl Wall•Women of the Harlem Renaissance•1995

  • Neither Black Nor White Yet Both

    Werner Sollors•Neither black nor white yet both•1997

  • The Gender of Modernity

    Rita Felski•Gender of Modernity•1995

  • Passing and the Fictions of Identity

    Donald E Pease, Elaine K Ginsberg•Passing and the fictions of…•1996

  • The best people”

    Pamela L Caughie•Modernism/modernity•2013

  • Deauthenticating Community

    János Tóth•MELUS Multi-Ethnic Literature of…•2008

  • That Unreasonable Restless Feeling

    David L Blackmore•African American Review•1992

  • Nella Larsen's Passing

    Jonathan Little, Jonathan P Little•African American Review•1992

  • Neither Fish, Flesh, nor Fowl

    Anne Fleischmann•African American Review•2000

  • Racial Etiquette

    Miriam Thaggert•Meridians•2005

  • Racial Etiquette

    Miriam Thaggert•Meridians•2005

  • Clare Kendry's "True" Colors

    Jennifer Devere Brody•Callaloo•1992

  • Bodies That Matter

    Judith Butler•Bodies that matter•2011

Unique citing works2
Citations per year0,67
Citation span2023 - 2024 (2)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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