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Foucault, or the Ends of Modernism

Bibliographic Data

ID5135923
AuthorsJohn Rajchman (corresponding author)
Year1983
Volume24
Pages37
Publication date1983-01-01
Open AccessNo
TypeARTICLE
VenueOctober (JOURNAL)
Journal identifiersISSN: 0162-2870 • E-ISSN: 1536-013X
PublisherJSTOR (PUBLISHER)
DOI10.2307/778592
OpenAlexW2317381064
LanguageEN
Citations received3

The whole relentless theorization of writing which we saw in the 1960s was doubtless only a swansong. Through it the writer was fighting for the preservation of his political privilege; but the fact that it was precisely a matter of theory, that he needed scientific credentials, founded in linguistics, semiology, psychoanalysis, that this theory took its references from the direction of Saussure or Chomsky, etc., and that it gave rise to such mediocre literary products, all this proves that the activity of the writer was no longer at the focus of things. . . . we are at present experiencing the disappearance of the figure of the great writer

Aesthetics · Art · Art history · Modernism (music · Foucault, Power, and Ethics · Philosophy

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    Ryan Devitt•Poetics Today•2021

  • Mapping the Postmodern

    Andreas Huyssen•New German Critique•1984

  • Madness and the Law

    Open Access•Jacques De Ville•Law and Critique•2010

Citations per year0.07
Citation span1984 - 2021 (38)
Highly citedNo

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