The Primary Colors for the Second Time
A Paradigm Repetition of the Neo-Avant-Garde
Bibliographic Data
| ID | 5138480 |
|---|---|
| Authors | Benjamin H D Buchloh (corresponding author) |
| Year | 1986 |
| Volume | 37 |
| Pages | 41 |
| Publication date | 1986-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | October (JOURNAL) |
| Journal identifiers | ISSN: 0162-2870 • E-ISSN: 1536-013X |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/778517 |
| OpenAlex | W2326048143 |
| Language | EN |
| Citations received | 8 |
The concept 'historic avant-garde movements' distinguishes these [dada, constructivism, surrealism] from all those neo-avant-gardiste attempts that are characteristic for Western Europe and the United States during the fifties and sixties. Although the neo-avant-gardes proclaim the same goals as the representatives of the historic avantgarde movements to some extent, the demand that art be reintegrated in the praxis of life within the existing society can no longer be seriously made after the failure of avant-gardiste intentions.1
Aesthetics · Art · Art history · Avant garde · Linguistics · Repetition (rhetorical device · Art, Politics, and Modernism · Art, Technology, and Culture · Philosophy · Visual Culture and Art Theory
Academia and the Luster of Capital
Postcolonial Agitations
Avant-gardes and Postmodernism
Avant-gardes et postmodernisme. La réception de la Théorie de l’avant-garde de Peter Bürger dans la critique d’art américaine
Blue like the Mediterranean
Representation and Event
L’artiste historien de l’art en narrateur
Fontana's Atomic Age Abstraction
| Unique citing works | 8 |
|---|---|
| Citations per year | 0,26 |
| Citation span | 1995 - 2022 (28) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 6 |