The Woman Makes (And Breaks) the Man
The Masculine Imagery in Brazilian Popular Music
Bibliographic Data
| ID | 5138863 |
|---|---|
| Authors | Ruben George Oliven (0000-0003-3556-6955, corresponding author) |
| Year | 1988 |
| Volume | 9 |
| Issue | 1 |
| Pages | 90 |
| Publication date | 1988-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Latin American Music Review (JOURNAL) |
| Journal identifiers | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/780000 |
| OpenAlex | W2797180666 |
| Language | EN |
| Citations received | 8 |
Ruben George Oliven, "The Woman Makes (And Breaks) the Man": The Masculine Imagery in Brazilian Popular Music, Latin American Music Review / Revista de Música Latinoamericana, Vol. 9, No. 1 (Spring - Summer, 1988), pp. 90-108
Art · Art history · Literature · Arts and Performance Studies · Asian Culture and Media Studies · History
A B razilian Anthropologist Studying Money in A merica
O Charme Chique da Cancao de Chico Buarque
A cultural genealogy of machismo
The imaginary of Brazilian popular music
Using the relational approach to explore the representation of women through Brazilian popular music
Cantando la cama vacía
Comparing Brazilian and North American songs about money
Reciprocity in Brazilian songs of love and money
| Citations per year | 0.22 |
|---|---|
| Citation span | 1990 - 2023 (34) |
| Highly cited | No |