Francis Picabia
Death and Resurrection of the Artist
Bibliographic Data
| ID | 5141262 |
|---|---|
| Authors | Marcella Lista (Association pour l'Utilisation du Rein Artificiel, corresponding author) |
| Translators | Simon Pleasance |
| Year | 2003 |
| Volume | 21 |
| Publication date | 2003-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critique d’art (JOURNAL) |
| Journal identifiers | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.1896 |
| OpenAlex | W2018096915 |
| Language | EN |
The “re-reading” of Picabia’s œuvre proposed by the City of Paris Museum of Modern Art, 27 years after the last retrospective devoted to this artist at the Grand Palais, in Paris, links up with recent art historical debate on the limits of modernism. With the goal of “permitting a more objective appreciation going beyond a stereotyped part-reading”, the exhibition and its catalogue champion above all a re-balancing of the corpus which, over and above the acquired recognition of works associat
Aesthetics · Art · Art history · Champion · Exhibition · Judgement · Legitimacy · Literature · Modern art · Performance art · Visual arts · Art, Politics, and Modernism · Computer Science · French Literature and Critical Theory · History · Law · Philosophy
| Highly cited | No |
|---|