From miscellany to homogeneity in concert programming
Bibliographic Data
| ID | 5153299 |
|---|---|
| Authors | William Weber (0000-0003-2674-6815, California State University, Long Beach, corresponding author) |
| Year | 2001 |
| Volume | 29 |
| Issue | 2 |
| Pages | 125-134 |
| Publication date | 2001-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Poetics (JOURNAL) |
| Journal identifiers | ISSN: 0304-422X • E-ISSN: 1872-7514 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/s0304-422x(01)00031-6 |
| OpenAlex | W2034344748 |
| Language | EN |
| Citations received | 10 |
| References cited | 2 |
Art · Literature · Machine learning · Miscellany · Computer Science · Diverse Musicological Studies · Musicology and Musical Analysis · Psychology · Theater, Performance, and Music History
Consequences of Canon
Innovation and Selection
Concert formats influence how audiences experience live classical music
In Defence of the Familiar
Western classical music in a non-Western culture
Clara Schumann's collection of playbills
Unravelling the omnivore
Out of tune
How Cultural Capital Emerged in Gilded Age America
An opera house for the 'Paris of South America
| Unique citing works | 10 |
|---|---|
| Citations per year | 0,43 |
| Citation span | 2003 - 2026 (24) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 8 |