Analyzing Difference in Recordings of Bach's Violin Solos with a Lead from Gilles Deleuze
Bibliographic Data
| ID | 5157994 |
|---|---|
| Authors | Dorottya Fabian (0000-0002-3249-0812, University of New South Wales Australia, corresponding author) |
| Year | 2017 |
| Volume | 23 |
| Issue | 4 |
| Publication date | 2017-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music Theory Online (JOURNAL) |
| Journal identifiers | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Publisher | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.23.4.4 |
| OpenAlex | W2782227794 |
| Language | EN |
| Citations received | 5 |
| References cited | 20 |
Through a case study of recordings of Bach's Sonatas and Partitas for Solo Violin, I argue that enlisting Deleuzian concepts when analyzing multiple performances of the same piece is useful for the exploration of individual differences and practices of performance. Such analysis reveals a continuously shifting-transforming performance style and provides a rich tapestry of diversity within and across nominally agreed upon stylistic trends and characteristics such as Romantic-modernist, Classical-modernist, or historically informed
Aesthetics · Art · Art history · Literature · Romance · Sociology · Violin · Anthropology · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis
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| Unique citing works | 5 |
|---|---|
| Citations per year | 0,83 |
| Citation span | 2020 - 2024 (5) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |