Occupying the Center
Bibliographic Data
| ID | 5160903 |
|---|---|
| Authors | Régine Michelle Jean-Charles (0000-0001-7851-451X, corresponding author) |
| Year | 2018 |
| Volume | 22 |
| Issue | 3 |
| Pages | 140-150 |
| Publication date | 2018-11-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Small Axe A Caribbean Journal of Criticism (JOURNAL) |
| Journal identifiers | ISSN: 1534-6714 • E-ISSN: 0799-0537 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/07990537-7249266 |
| OpenAlex | W2902715806 |
| Language | EN |
| Citations received | 2 |
This essay takes two images of Haitian girls in Christina Sharpe’s In the Wake: On Blackness and Being as a point of departure to reflect on the iconography of Haitian suffering. It argues that Sharpe’s claim that the Haitian girl in the photo taken in the aftermath of the 2010 earthquake “occupies the center of the work” is thrown into question when her work is juxtaposed with literary narratives that feature Haitian girl protagonists, such as Evelyne Trouillot’s The Infamous Rosalie and Laura Wagner’s Hold Tight, Don’t Let Go. These narratives by Trouillot and Wagner actively center Haitian girls while recognizing the dynamics of the wake that Sharpe outlines throughout her study. As such they offer an example of what it means to imagine Haitian girlhood “otherwise.”
Art · Art history · Center (category theory · Girl · Iconography · Literature · Narrative · Caribbean and African Literature and Culture · History · Homelessness and Social Issues · Psychology
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2022 - 2022 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |