El mapa de Chile y el plano de Santiago en la obra atribuida a Juan Ignacio Molina de 1776
Los Manuscritos Perdidos
Bibliographic Data
| ID | 5242285 |
|---|---|
| Authors | Rodrigo Moreno Jeria (0000-0001-6392-9982, Adolfo Ibáñez University, corresponding author) |
| Year | 2018 |
| Issue | 69 |
| Pages | 33-47 |
| Publication date | 2018-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista de geografía Norte Grande (JOURNAL) |
| Journal identifiers | ISSN: 0379-8682 • E-ISSN: 0718-3402 |
| Publisher | SciELO Agencia Nacional de Investigacion y Desarrollo (ANID) (PUBLISHER) |
| DOI | 10.4067/s0718-34022018000100033 |
| OpenAlex | W2802514456 |
| SCIELO_PID | S0718-34022018000100033 |
| Language | ES |
| Citations received | 2 |
Included in the work "Compendio della Storia geografica, naturale e civile del Regno del Chile", published anonymously in 1776 by the then ex-Jesuit Juan Ignacio Molina, were several maps, plans, and engravings. Although attributed to Molina, the illustrations, and specifically a map of Chile and a plan of the city of Santiago, were signed by Giovanni Fabbri. The reason for attributing them to Molina, despite his not being a cartographer, is due to his likely being the intellectual author of the work and coincides with his knowledge of the represented areas. As a result, the name of the artist, Fabbri, who had never been in Chile, receded into the background. However, a recent discovery of additional manuscripts has revealed that the aforementioned illustrations were created by a diff erent artist, Giussepe Mancini, who was able to depict both the territory of the government and its capital, following the instructions of the Chilean priest
Art · Humanities · Historical Studies in Science · Historical Studies on Spain · Latin American history and culture
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,4 |
| Citation span | 2021 - 2022 (2) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |