Pigments-Iron-based red, yellow, and brown ochres
Datos Bibliográficos
| ID | 5255459 |
|---|---|
| Autores | G P Mastrotheodoros (0000-0002-0320-5867, National Technical University of Athens, autor de correspondencia), Konstantinos G Beltsios, K Beltsios (National Technical University of Athens) |
| Año | 2022 |
| Volumen | 14 |
| Número | 2 |
| Fecha de publicación | 2022-02-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Archaeological and Anthropological Sciences (JOURNAL) |
| Identificadores de la revista | ISSN: 1866-9557 • E-ISSN: 1866-9565 |
| Editorial | Springer Science and Business Media LLC (PUBLISHER) |
| DOI | 10.1007/s12520-021-01482-2 |
| OpenAlex | W4221024068 |
| Idioma | EN |
| Citas recibidas | 39 |
| Referencias citadas | 176 |
Archaeology · Art · Geography · Natural (archaeology · Prehistory · Building materials and conservation · Cultural Heritage Materials Analysis · Mineralogy and Gemology Studies
Microbial Communities Associated with Post-Byzantine Icons
Implications of ochre source heterogeneity for ochre provenance
Ancient Restoration in Roman Polychromy
Archaeological Stratification in the St. Leucio Basilica (2nd Century BCE–6th Century CE, Canosa di Puglia, Southern Italy)
Unveiling the Original Polychromy of Archaic Architecture
Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases
Pigments—Arsenic-based yellows and reds
Ochres as earth pigments in Hellenistic and Roman polychromy
Fotis Kontoglou
Technical advantages bridging the preservation limits of painted decoration of Neolithic ceramic figurines
Characterisation of pigments and technical features of Byzantine mural paintings from eastern Crete (Lassithi)
The fresco wall painting techniques in the Mediterranean area from Antiquity to the present
A Multidisciplinary Non-Invasive Approach for the Examination of a Wooden Panel Painting
On Devotional Artworks
A Non-Invasive and Sustainable Characterization of Pigments in Wall Paintings
Revealing the Materials, Painting Techniques, and State of Preservation of a Heavily Altered Early 19th Century Greek Icon through MA-XRF
Looking at the Modern to Better Understand the Ancient
A Wood-Carved and Painted Chest from Epirus, Greece
Romanino’s Colour Palette in the “Musicians” Fresco of the Duomo Vecchio, Brescia
MA-XRF investigation of a 17th century icon by the renowned painter Theodoros Poulakis
Pottery vessels and technology of “colouring materials” in the central-western Mediterranean (Sardinia, Italy) during the Middle Neolithic
Late antique African Painted Wares (APW)
Unveiling the Deity
Ochre in Sedimentary Rock
A new method for fingerprinting ochre sources using mineral magnetic measurements
The Wider World of Writing. Networks of People, Practice and Culture Underpinning Writing in Late Bronze Age Ugarit
Glass-based pigments in painting
Pigments - Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products
Wall paintings through the ages
Pigment nomenclature in the ancient Near East, Greece, and Rome
Wall paintings through the ages
Mortars and plasters-How mortars were made. The literary sources
Mortars and plasters-How to characterize aerial mortars and plasters
Pigments-copper-based greens and blues
Mortars and plasters-how to manage mortars and plasters conservation
Mortars and plasters - How to characterize mortar and plaster degradation
Production, transport and on-site organisation of Roman mortars and plasters
The ecology and bioactivity of some Greco-Roman medicinal minerals
Pigments, dyes and inks
Cosmetic Pigments from the "Royal Cemetery" at Ur
Pigment Compendium
The Iron Oxides
Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation
Clay and iron oxide pigments in the history of painting
Analysis of rock art painting and technology of Palaeolithic painters
Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies
Raman identification of natural red to yellow pigments
Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)
Heated goethite and natural hematite
Mineral Pigments in Archaeology
Trace element characterization of ochre from geological sources
The colour of ochres explained by their composition
Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases
Pigments—Arsenic-based yellows and reds
First evidence of Pleistocene ochre production from bacteriogenic iron oxides. A case study of the Upper Palaeolithic site at the San Teodoro Cave (Sicily, Italy)
Study on the technique of the Roman age mural paintings by micro-XRF with Polycapillary Conic Collimator and micro-Raman analyses
Klimt artwork
Processing ochre in the Middle Stone Age
Elemental fingerprinting of Kenya Rift Valley ochre deposits for provenance studies of rock art and archaeological pigments
New results in ancient Maya rituals researches
Greco-Roman mineral (litho)therapeutics and their relationship to their microbiome
Colourful earth
Red Earth, Green Glass, and Compositional Data
Soils, stones and symbols
Geochemical characterization of ochre from central coastal British Columbia, Canada
The use of mineral magnetic parameters to characterize archaeological ochres
Raman microscopy in archaeological science
A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa
Oxygen-Isotope Ratios in Quartz as Indicators of the Provenance of Archaeological Ochres
Analysis of the red ochre of the El Mirón burial (Ramales de la Victoria, Cantabria, Spain)
A preliminary study on ochre sources in Southwestern Germany and its potential for ochre provenance during the Upper Paleolithic
Blombos Cave
An LA-ICP-MS trace element classification of ochres in the Weld Range environ, Mid West region, Western Australia
Elemental Analysis of Ochre Outcrops in Southern British Columbia, Canada
The Source of Iron‐Oxide Pigments Used in Pecos River Style Rock Paints
Raman Spectroscopic Analysis of Ancient Egyptian Pigments
Decorated Archaic Pottery From the Heracles Sanctuary at Thebes
New Evidence for the Nature of the Attic Black Gloss
The Improved Lns Pixe‐Alpha Portable System
Heat Treatment of Mineral Pigment During the Upper Palaeolithic in North‐East Italy
The Origin and Geochemical Characterization of Red Ochres From the Tito Bustillo and Monte Castillo Caves (Northern Spain)
On the Red and Yellow Pigments of Post‐Byzantine Greek Icons
A Roman Egyptian Painting Workshop
Red Palaeolithic Pigments
On The Grounds Of Post‐Byzantine Greek Icons
Accessing Past Beliefs and Practices
Pigments and Plasters From the Roman Settlement of Thamusida (Rabat, Morocco)
Probing the birthplace of the “Epirus/NW Greece School” of painting
The Breaking of Ochred Pebble Tools as Part of Funerary Ritual in the Arene Candide Epigravettian Cemetery
Glass-based pigments in painting
Not only wall paintings-pigments for cosmetics
Pigments - Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products
Wall paintings through the ages
Characterizing the pigments and paints of prehistoric artists
Pigment nomenclature in the ancient Near East, Greece, and Rome
Wall paintings through the ages
Mortars and plasters-how to characterise hydraulic mortars
Mortars and plasters-How mortars were made. The literary sources
Mortars and plasters-How to characterize aerial mortars and plasters
Mortars, plasters and pigments-research questions and sampling criteria
Pigments-copper-based greens and blues
Pigments-the palette of organic colourants in wall paintings
Mortars and plasters-how to manage mortars and plasters conservation
Mortars and plasters - How to characterize mortar and plaster degradation
Production, transport and on-site organisation of Roman mortars and plasters
The ecology and bioactivity of some Greco-Roman medicinal minerals
Pigments, dyes and inks
Mortars and masonry-structural lime and gypsum mortars in Antiquity and Middle Ages
Iron isotope analysis of red and black pigments on pottery in Nasca, Peru
Strontium, a new marker of the origin of gypsum in cultural heritage
Ciro Ferri's frescoes
A Mössbauer approach to the physico-chemical characterization of iron-containing pigments for historical wall paintings
The story of Indian yellow - excreting a solution
An innovative combination of non-invasive UV-Visible-Fors, XRD and XRF techniques to study Roman wall paintings from Seville, Spain
Ochre and hide-working at a Natufian burial place
| Obras citantes distintas | 39 |
|---|---|
| Citas por año | 7,8 |
| Intervalo de citas | 2021 - 2026 (6) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 38 |