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Elevating the Underground

Claiming a Space for Indie Music among Bali's Many Soundworlds

Bibliographic Data

ID5260046
AuthorsRebekah E Moore (corresponding author)
Year2013
Volume44
Issue2
Pages135-159
Publication date2013-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAsian Music (JOURNAL)
Journal identifiersISSN: 0044-9202 • E-ISSN: 1553-5630
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/amu.2013.0013
OpenAlexW2058037284
LanguageEN
Citations received5
References cited15

Di Denpasar, Bali, penduduk yang memiliki latar belakang etnis, bahasa, agama, pekerjaan, dan preferensi musik yang berbeda, dipaksa untuk tinggal berdekatan dalam suatu area oleh prospek pekerjaan mereka. Sejalan dengan itu, lingkungan perkotaan mendorong "soundworld" yang berbeda untuk berbagi ruang geografis yang padat penduduknya. Artikel ini akan menyelidiki musik indie sebagai intersubjektivitas sonic-sosial yang unik ("soundworld"). Disandingkan dengan musik tradisional, soundworld indie mengungkapkan disonansi dan kongruensi dalam praktek dan nilai musik di Bali. Keterlibatan musik indie ini berfungsi sebagai tindakan utama untuk menyatukan sekelompok individu yang hubungan social mereka terputus, untuk menciptakan ruang yang elektif, lokal, dan berkelanjutan

Aesthetics · Art · Ethnic group · Indie film · Intersubjectivity · Linguistics · Media studies · Musical · Social science · Sociology · Space (punctuation) · Visual arts · Anthropology · Asian Culture and Media Studies · Gender Studies · History · Media, Gender, and Advertising · Music History and Culture · Philosophy

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  • Politik rakat

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  • Dancing to a Disco Beat

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  • Popular Music in Indonesia since 1998, in Particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet

    Bart Barendregt, Wim Van Zanten•Yearbook for Traditional Music•2002

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Unique citing works5
Citations per year0,38
Citation span2013 - 2022 (10)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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