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Prosodic Rhythm in Jewish Sacred Music

Examples from the Persian-Speaking World

Bibliographic Data

ID5260208
AuthorsEvan Rapport (corresponding author)
Year2016
Volume47
Issue1
Pages64-102
Publication date2016-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAsian Music (JOURNAL)
Journal identifiersISSN: 0044-9202 • E-ISSN: 1553-5630
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/amu.2016.0000
OpenAlexW2244855130
LanguageEN
References cited21

Musical rhythms are connected to prosodic principles in many Jewish sacred music practices. For Persian-speaking Jews of Iran and Central Asia, rhythms are especially informed by ingrained habits of interpreting Persian quantitative poetic meters, applied to both Hebrew- and Persian-language texts. For describing and analyzing Jewish sacred music in the Iranian and Central Asian traditions, the term "prosodic rhythm" usefully highlights the importance of syllable length and other rhythmic features of a text, with broader implications for the study of Jewish sacred music and music without a steady pulse in general

Aesthetics · Archaeology · Art · Hebrew · Judaism · Linguistics · Literature · Musical · Persian · Poetry · Rhythm · Syllable · Historical and Linguistic Studies · History · Media, Communication, and Education · Musicology and Musical Analysis · Philosophy

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Citation velocityhistorical
Highly citedNo

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