The social media image
Bibliographic Data
| ID | 5260569 |
|---|---|
| Authors | Nadav Hochman (University of Pittsburgh, corresponding author) |
| Year | 2014 |
| Volume | 1 |
| Issue | 2 |
| Pages | 1/2/2053951714546645 |
| Publication date | 2014-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Big Data & Society (JOURNAL) |
| Journal identifiers | ISSN: 2053-9517 • E-ISSN: 2053-9517 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/2053951714546645 |
| OpenAlex | W2135893477 |
| Language | EN |
| Citations received | 10 |
| References cited | 30 |
How do the organization and presentation of large-scale social media images recondition the process by which visual knowledge, value, and meaning are made in contemporary conditions? Analyzing fundamental elements in the changing syntax of existing visual software ontology-the ways current social media platforms and aggregators organize and categorize social media images-this article relates how visual materials created within social media platforms manifest distinct modes of knowledge production and acquisition. First, I analyze the structure of social media images within data streams as opposed to previous information organization in a structured database. While the database has no pre-defined notions of time and thus challenges traditional linear forms, the data stream re-emphasizes the linearity of a particular data sequence and activates a set of new relations to contemporary temporalities. Next, I show how these visual arrangements and temporal principles are manifested and discussed in three artworks: "Untitled" (Perfect Lovers) by Felix Gonzalez-Torres (1991), The Clock by Christian Marclay (2011), and Last Clock by Jussi Ängeslevä and Ross Cooper (2002). By emphasizing the technical and poetic ways in which social media situate the present as a "thick" historical unit that embodies multiple and synchronous temporalities, this article illuminates some of the conditions, challenges, and tensions between former visual structures and current ones, and unfolds the cultural significations of contemporary big visual data
Data science · Epistemology · Social media · Sociology · Temporalities · World Wide Web · Computer Science · Data Visualization and Analytics · Law
Phone Footage and the Social Media Image as Global Anonymous Cinema
Which image types do universities tweet
Where We At? New Directions for Research on Popular Culture and World Politics
Storytelling strategies in culinary TikTok content
The taste of video
Unveiling digital mirrors
Special Issue
Beyond the self
Memetic commenting
Visual media analysis for Instagram and other online platforms
The Philosophy of Software
Steps Toward an Ecology of Infrastructure
Orality and Literacy
Time and Free Will
Questions Of Modernity
Software Studies
Software Takes Command
Zooming into an Instagram City
The archive and the processor
Beyond the Beyond
Amazon Mechanical Turk
Power through the algorithm? Participatory web cultures and the technological unconscious
Big Data, new epistemologies and paradigm shifts
Being Stuck in (Live) Time
The Politics of Real-time
| Citations per year | 1 |
|---|---|
| Citation span | 2016 - 2026 (11) |
| Highly cited | No |