Data artivism and feminicide

Dados Bibliográficos

ID5260733
AutoresHelena Suárez Val (0000-0002-8748-0734, autor correspondente), Catherine D''Ignazio (0000-0002-8673-1941), Jose A Romero (0009-0004-1179-8211, Independent Design and Art Curator, Mexico City, Mexico), Melissa Q Teng (0000-0002-3051-0787, Massachusetts Institute of Technology), Silvana Fumega (0000-0002-0879-8462, Independent Consultant, Buenos Aires, Argentina)
Ano2023
Volume10
Fascículo2
Data de publicação2023-07-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoBig Data & Society (JOURNAL)
Identificadores do periódicoISSN: 2053-9517 • E-ISSN: 2053-9517
EditoraSAGE Publications Inc (PUBLISHER)
DOI10.1177/20539517231215356
OpenAlexW4388932991
IdiomaEN
Citações recebidas6
Referências citadas21

Data has become a key format for activists to visibilizar (make visible/call attention to) and denounce social issues. Drawing on the concept of "artivism," we name as data artivism those works that visually intervene in the contestation around an issue by mobilizing art and craft as a form of resistance and as a method to visualize data. In this commentary, we share three examples of data artivism on the issue of feminicide. Our aim is to inspire the fields of critical data and data visualization studies to engage more deeply with art and find common language with artists, activists and advocacy groups (particularly those in Latin America), who are going beyond conventional visualization to reveal a range of alternative ways to mobilize data

Art · Computer security · Craft · Data mining · Data science · Data visualization · Latin Americans · Media studies · Political science · Sociology · Visual arts · Visualization · Computer Science · Ethics and Social Impacts of AI · Law · Participatory Visual Research Methods