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Thematic Shifts in Contemporary Vietnamese American Novels

Bibliographic Data

ID5282225
AuthorsQuan Manh Ha (0000-0003-1471-8331, University of Montana, corresponding author)
Year2010
Volume33
Issue2
Pages63-81
Publication date2010-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEthnic studies review (JOURNAL)
Journal identifiersISSN: 1555-1881 • E-ISSN: 2576-2915
PublisherUniversity of California Press (PUBLISHER • US)
DOI10.1525/esr.2010.33.2.63
OpenAlexW2757903865
LanguageEN
References cited2

This article examines the thematic shifts in three contemporary Vietnamese American novels published since 2003: Monique Truong's The Book of Salt, Dao Strom's Grass Roof, Tin Roof, and Bich Minh Nguyen's Short Girls. I argue that by concentrating on the themes of inferiority and invisibility and issues related to ethnic and racial relationships in U.S. culture (instead of concentrating on the Vietnam War and the refugee experiences), some contemporary Vietnamese American authors are attempting to merge their voices into the corpus of ethnic American literature, which usually is thematically characterized by identity, displacement, alienation, and cultural conflict, etc. Each author explores the problems confronted by individuals caught up in various phases of the Vietnamese diaspora of the twentieth century. These important works are treated primarily thematically, even as the theoretical approaches of various critics are employed to examine those themes. All three novels take Vietnamese American literature in new thematic directions, which signals great promise for future developments

Aesthetics · Alienation · Art · Diaspora · Ethnic group · Harmony (color · Identity (music · Linguistics · Political science · Sociology · Vietnamese · Visual arts · Anthropology · Asian American and Pacific Histories · Gender Studies · History · Law · Philosophy · Race, History, and American Society · Vietnamese History and Culture Studies

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Citation velocityhistorical
Highly citedNo

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