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Representation of musical timbre in the auditory cortex

Bibliographic Data

ID5304448
AuthorsPowen Ru, Shihab Shamma (0000-0002-1283-6804, University of Maryland, College Park), Shihab A Shamma
Year1997
Volume26
Issue2
Pages154-169
Publication date1997-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of New Music Research (JOURNAL)
Journal identifiersISSN: 0929-8215 • E-ISSN: 1744-5027
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/09298219708570723
OpenAlexW2016771013
LanguageEN
Citations received6
References cited8

Musical sounds are usually characterized by their pitch, timbre, loudness, forms of modulation, and onset/offset instants. These descriptions of sound quality have a close relationship to the instantaneous spectral properties of the sound waves. Physiological, psychoacoustical, and computational studies reveal that the central auditory system has developed elegant mechanisms to extract and represent this spectro‐temporal information. For instance, the primary auditory cortex (AI) employs a multiscale representation in which the dynamic spectrum is repeatedly represented in AI at various degrees of spectral and temporal resolution. This is accomplished by cells whose responses are selective to a range of spectro‐temporal parameters such as the local bandwidth and asymmetry of spectral peaks, and their onset and offset transition rates. Such a representation provides a quantitative description of the timbral quality of sound, and hence can be used to extrapolate between canonical timbres to synthesize novel sounds. Notes Sound examples are available in the JNMR Electronic Appendix (EA) which can be found on the WWW at http://www.sweis.nl/jnrnr/jnmr.html

Acoustics · Auditory cortex · Auditory system · Computer vision · Loudness · Musical · Perception · Physics · Speech recognition · Timbre · Tonotopy · Computer Science · Hearing Loss and Rehabilitation · Neural dynamics and brain function · Neuroscience · Neuroscience and Music Perception · Psychology

  • Music

    Open Access•Björn Merker•Musicae Scientiae•2002

  • Compositional Processes from an Ecological Perspective

    Damián Keller•Leonardo Music Journal•2000

  • Investigating Melodic Segmentation through the Temporal Multi-Scaling Framework

    Open Access•Maja Serman, Niall J L Griffith et al.•Musicae Scientiae•2003

  • Modulation Spectral Features

    Nashlie H Sephus, Aaron D Lanterman et al.•Journal of New Music Research•2015

  • The convergence paradigm, ecological modelling, and context-dependent pitch perception

    Marc Leman•Journal of New Music Research•1997

  • Physiological foundations of temporal integration in the perception of speech

    Open Access•Shihab Shamma•Journal of Phonetics•2003

  • Receptive fields, binocular interaction and functional architecture in the cat's visual cortex

    Open Access•David H Hubel, T N Wiesel•The Journal of Physiology•1962

Unique citing works6
Citations per year0.21
Citation span1997 - 2015 (19)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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