Gestural Control of Digital Audio Environments
Bibliographic Data
| ID | 5304502 |
|---|---|
| Authors | Sylviane Sapir (corresponding author) |
| Year | 2002 |
| Volume | 31 |
| Issue | 2 |
| Pages | 119-129 |
| Publication date | 2002-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of New Music Research (JOURNAL) |
| Journal identifiers | ISSN: 0929-8215 • E-ISSN: 1744-5027 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1076/jnmr.31.2.119.8097 |
| OpenAlex | W2067998871 |
| Language | EN |
| Citations received | 2 |
In a traditional musical situation based on the strict use of acoustic instruments, human gesture usually produces sound. The relationship between gesture and sound is unique, it is a cause to effect link. In computer music, the possibility of uncoupling gesture from sound is due to the fact that computer can carry out all the aspects of sound production from composition up to interpretation and performance. Real-time computing technology and development of human gesture tracking systems may enable gesture to be introduced again into the practice of computer music, but with a completely renewed approach. There is no more need to create direct cause to effect relationships for sound production, and gesture may be seen as another musical parameter to play with in the context of interactive musical performances
Acoustics · Computer music · Gesture · Gesture recognition · Human–computer interaction · Multimedia · Musical · Speech recognition · Computer Science · Music Technology and Sound Studies · Artificial Intelligence
| Unique citing works | 2 |
|---|---|
| Citations per year | 0.1 |
| Citation span | 2006 - 2013 (8) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |