Music Cognition, Semiotics and the Experience of Time
Ontosemantical and Epistemological Claims
Bibliographic Data
| ID | 5304580 |
|---|---|
| Authors | Mark Reybrouck (0000-0001-9237-1017, KU Leuven, corresponding author) |
| Year | 2004 |
| Volume | 33 |
| Issue | 4 |
| Pages | 411-428 |
| Publication date | 2004-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of New Music Research (JOURNAL) |
| Journal identifiers | ISSN: 0929-8215 • E-ISSN: 1744-5027 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0929821052000343877 |
| OpenAlex | W2068935601 |
| Language | EN |
| Citations received | 6 |
| References cited | 18 |
This paper is about musical epistemology. It stresses the role of how a listener can have a unified coherent experience over time. Central questions involve the conceptual construction of time, the role of non-objectivist as against objectivist cognition, and the role of cognitive mediation and imagery in music cognition. In order to discuss these claims a conceptual framework is introduced that does justice to the dynamic ongoing characteristics of the sonorous unfolding in time, leaning on the theoretical work of Kant, Husserl, and Schütz. An attempt is finally made to provide a formal description of dealing with music that objectifies the temporal unfolding of sound under the guise of presentational immediacy and as a kind of synthetic activity of the mind, stressing both the sequential experience and the construction of relational continuity. © 2004, Taylor & Francis Group, LLC
Aesthetics · Cognition · Cognitive psychology · Cognitive science · Epistemology · Immediacy · Mediation · Objectivism · Presentational and representational acting · Semiotics · Sociology · Cognitive Science and Education Research · Multisensory perception and integration · Neuroscience and Music Perception · Philosophy · Psychology
Mastering musical meaning
Music as Epistemic Construct
Music cognition and real-time listening
Exploring the structural principles underlying the capacity of groups of notes to function concurrently in music
Similarity perception as a cognitive tool for musical sense-making
Music cognition and the bodily approach
Essays in radical empiricism
Making Music Together
Spectromorphology
Time, our lost dimension
Acousmatic Morphology
The Body in the Mind
Vorlesungen zur Phänomenologie des inneren Zeitbewußtseins
Formal Grammars in Linguistics and Psycholinguistics
Wagner “Alte Weise”
Music
The Embodied Mind
Digital Sound and Music Transformation Environments
Parsing, structure, memory and affect
Multidimensional representation of electroacoustic music
Emergence of new signal-primitives in neural systems
Biological roots of musical epistemology
Optimizing auditory images and distance metrics for self-organizing timbre maps
Stabilité structurelle et morphogenèse
| Citations per year | 0.3 |
|---|---|
| Citation span | 2006 - 2020 (15) |
| Highly cited | No |