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Modern Jena as a Model of Cultural Regeneration in Wilhelmine Germany

Bibliographic Data

ID5306285
AuthorsMeike G Werner (corresponding author)
Year2013
Volume74
Issue2
Pages267-288
Publication date2013-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of the History of Ideas (JOURNAL)
Journal identifiersISSN: 0022-5037 • E-ISSN: 1086-3222
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/jhi.2013.0016
OpenAlexW2059541481
LanguageEN
References cited7

The path-breaking work of Carl Schorske and other scholars have tended to locate the great urban centers as the main sites of modernist culture. But simply to recall the Dessau of Gropius, the Basel of Nietzsche and Burckhardt, and the Czernowitz of Celan, is to conjure an alternative image. This article considers aspects of modernity in Jena, and focuses in particular on how the publisher Eugen Diederichs used this provincial city as template for a form of German modernism that was substantively different than the publishing program of Samuel Fischer in Berlin

Aesthetics · Archaeology · Art · Art history · Epistemology · German · Literature · Modernism (music) · Modernity · Publishing · Sociology · Classics · German Colonialism and Identity Studies · History · Literature and Cultural Memory · Philosophy · Walter Benjamin Studies Compilation

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    Mark W Rectanus, Justus H Ulbricht et al.•The German Quarterly•2000

  • Die Verwandlung der Welt

    Open Access•Jurgen Osterhammel•Die Verwandlung der Welt•2009

  • Rethinking Vienna 1900

    Andrew Lees, Steven Beller et al.•German Studies Review•2003

  • Provincial Modernism

    Meike G Werner•The Germanic Review Literature…•2001

  • Basel in the Age of Burckhardt

    John R Hinde, Lionel Gossman•The American Historical Review•2001

Citation velocityhistorical
Highly citedNo

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