O Feminino Em Dois Romances De Lídia Jorge E Paulina Chiziane
Bibliographic Data
| ID | 5320976 |
|---|---|
| Authors | Débora Leite David (0000-0003-2781-1930, Hospital Universitário da Universidade de São Paulo, corresponding author) |
| Year | 2007 |
| Issue | 1 |
| Publication date | 2007-05-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista Crioula (JOURNAL) |
| Journal identifiers | ISSN: 1981-7169 • E-ISSN: 1981-7169 |
| Publisher | Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER) |
| DOI | 10.11606/issn.1981-7169.crioula.2007.52674 |
| OpenAlex | W2020189209 |
| Language | PT |
ON COMPARATIVE ANALYSIS OF THE NOVELS A COSTA DOS MURMÚRIOS, BY LÍDIA JORGE AND VENTOS DO APOCALIPSE, BY PAULINA CHIZIANE, WE CARE ABOUT THE FEMININE CHARACTERS THAT PARTICIPATE INTO PLOTS IN A NUCLEAR WAY. IN COMMON THERE ARE THE WOMEN TREATED IN A COLLECTIVE AND ANONYMOUS WAY, A KIND OF IMAGERY DISTORTION THAT MOVE THEIR IDENTITY REFERENCES, WHICH IS, NEVERTHELESS, DEFEATED BY AN ACTIVE DIALOGUE ON SOCIAL SITUATIONS
Aesthetics · Art · Art history · Distortion (music · Humanities · Identity (music · Sociology · Computer Science · Cultural, Media, and Literary Studies · Gender, Sexuality, and Education
| Highly cited | No |
|---|