Corpo, Imagem & Escrita
Bibliographic Data
| ID | 5323310 |
|---|---|
| Authors | Maria Eunice Maciel (0000-0003-3770-5322, Universidade Federal de Minas Gerais, corresponding author), Maria Esther Maciel |
| Year | 2012 |
| Volume | 19 |
| Issue | 1.2 |
| Publication date | 2012-12-12 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista da Universidade Federal de Minas Gerais (JOURNAL) |
| Journal identifiers | ISSN: 2316-770X • E-ISSN: 2965-6931 |
| Publisher | Universidade Federal de Minas Gerais - Pro-Reitoria de Pesquisa (PUBLISHER) |
| DOI | 10.35699/2316-770x.2012.2712 |
| OpenAlex | W2614616734 |
| Language | EN |
This article discusses the presence of the body in contemporary art and culture, with reference to the relationship between body, image and writing in the encyclopedic work of Peter Greenaway - more specifically in his 1996 film The Pillow Book. The aim is to show how the sign body, taken from the perspective of multiplicity, occupies a privileged place in the repertoire of images and concepts of the British artist, in sharp contrast to the marketing vision of the body that prevails in contemporary world
Aesthetics · Art · Art history · Literature · Perspective (graphical · Repertoire · Sign (mathematics · Sociology · Visual arts · Art, Politics, and Modernism · Mathematics · Shakespeare, Adaptation, and Literary Criticism · Visual Culture and Art Theory
| Highly cited | No |
|---|