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Provoking Animal Realities on TV

Exploring the Affinities between STS and Screen Studies

Datos Bibliográficos

ID5337637
AutoresGay Hawkins (0000-0002-9057-6729, Western Sydney University, Parramatta, New South Wales, Australia), Ben Dibley (0000-0002-7517-0405, Western Sydney University, Parramatta, New South Wales, Australia, autor de correspondencia)
Año2021
Volumen46
Número4
Páginas695-718
Fecha de publicación2021-07-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaScience Technology & Human Values (JOURNAL)
Identificadores de la revistaISSN: 0162-2439 • E-ISSN: 1552-8251
EditorialSAGE Publications Inc (PUBLISHER)
DOI10.1177/0162243920945381
OpenAlexW3047141018
IdiomaEN
Citas recibidas2
Referencias citadas24

This paper investigates the logistics of crafting and accounting for animal realities on television. Using the case of The Making of David Attenborough's Conquest of the Skies, a behind-the-scenes documentary about how the Sky TV series David Attenborough's Conquest of the Skies was created, it explores how the material reality of animals becomes a televisual reality. In seeking to challenge the lingering concern within many media studies critiques of wildlife TV about the constructed and manipulated nature of televisual animals, we propose an approach focused on how realities are provoked. This approach draws on recent debates within STS and screen theory about the contingent elements and accountability relations that become practically operative in making something real. Equally significant is the animal performer. How do the animals, often domesticated, that are used in television to simulate wildness or scientific facts participate in and resist the television apparatus? And how do these animal performances shape distinct animal-human relations and contact zones

Aesthetics · Art · Biology · CONQUEST · Environmental ethics · Media studies · Political science · Reality television · Reality tv · Sociology · Wildlife · Wildness · Animal and Plant Science Education · Geographies of human-animal interactions · History · Human-Animal Interaction Studies · Law · Ecology

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    Derek Bousé•Wildlife Films•2000

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    Jamie Lorimer•Wildlife in the Anthropocene•2015

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    Fabian Muniesa•The Provoked Economy•2014

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    Open Access•Jan Teurlings•After the Break•2013

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    Open Access•Mike Michael•Actor-Network Theory•2017

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    Bruno Latour•REASSEMBLING THE SOCIAL: AN…•2005

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    Phil Bagust•Continuum•2008

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  • From the society of the spectacle to the society of the machinery

    Open Access•Jan Teurlings•European Journal of Communication•2013

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    Open Access•Simon Cottle•Media Culture & Society•2004

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    Michael Welsh, Gregg Mitman•Journal of American History•2002

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    Open Access•Vinciane Despret•Body & Society•2004

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    Open Access•Jamie Lorimer•Cultural Geographies•2010

  • A Constructivist Reading of Process and Reality

    Open Access•Isabelle Stengers•Theory Culture & Society•2008

  • The Emergence of Multispecies Ethnography

    Open Access•E Kirksey, S Eben Kirksey et al.•Cultural Anthropology•2010

  • Provocative Containment and the Drift of Social-Scientific Realism

    Javier Lezaun, Fabian Muniesa et al.•Journal of Cultural Economy•2013

Obras citantes distintas2
Citas por año1
Intervalo de citas2024 - 2024 (1)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 2
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