Modern Visual Poetry
Bibliographic Data
| ID | 5339275 |
|---|---|
| Authors | Ann Smock (corresponding author) |
| Year | 2003 |
| Volume | 32 |
| Issue | 2 |
| Pages | 116-121 |
| Publication date | 2003-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | SubStance (JOURNAL) |
| Journal identifiers | ISSN: 0049-2426 • E-ISSN: 1527-2095 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/sub.2003.0047 |
| OpenAlex | W2728187977 |
| Language | EN |
This learned and thorough book offers a panorama of visual poetry, from Apollinaire's first "calligramme," published in Les Soirées de Paris the year World War I began, to the hyperpoetry and holopoems which, as the 20th century drew to a close, you could access easily on UbuWeb. It takes in the exuberant experiments of the Italian Futurists, the "ascetic exercises" of 1950s Concrete poets, and the Dada-inspired interventions of Lettrists during the 1960s
Archaeology · Art · Art history · Asceticism · Literature · Panorama · Poetry · Visual arts · Art, Politics, and Modernism · French Literature and Critical Theory · French Literature and Poetry · History
| Citation velocity | historical |
|---|---|
| Highly cited | No |