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Are Sounds Sound? For an Enthusiastic Study of Sound Studies

Bibliographic Data

ID5339404
AuthorsÉric Méchoulan (0000-0001-5659-5697), David F Bell
Year2020
Volume49
Issue2
Pages3-29
Publication date2020-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSubStance (JOURNAL)
Journal identifiersISSN: 0049-2426 • E-ISSN: 1527-2095
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/sub.2020.0007
OpenAlexW3080861354
LanguageEN

The ephemeral nature of sounds makes it difficult to think about sound as a foundation for our experience, for our being in a situation. This essay argues that sound needs to be explored and understood as crucial precisely because it exceeds the visual and its confining framework of point of view, enriching the manner in which we are anchored in the actuality of our situation in the world. Sound Studies points the way to understanding the fundamental nature of sound, and our essay pursues insights from the field to reflect on notions such as silence, ambient noise, voice, and recording in John Cage, Kant, Dumas’s Count of Monte-Cristo, and Dziga Vertov’s theory of cinematic sound

Acoustics · Aesthetics · Art · Ephemeral key · Physics · Silence · Sociology · Sound (geography) · Communication · Computer Science · Musicology and Musical Analysis

Citation velocityhistorical
Highly citedNo

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