Soundscape and Power
Bibliographic Data
| ID | 5339668 |
|---|---|
| Authors | Serge Cardinal, Oana Avasilichioaei |
| Year | 2020 |
| Volume | 49 |
| Issue | 2 |
| Pages | 60-70 |
| Publication date | 2020-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | SubStance (JOURNAL) |
| Journal identifiers | ISSN: 0049-2426 • E-ISSN: 1527-2095 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/sub.2020.0010 |
| OpenAlex | W3081341051 |
| Language | EN |
| Citations received | 1 |
In Balcony in the Forest, Julien Gracq composes a soundscape as a series of spatial events and material affects. He snatches it from “the smoke and the suburbs of Charleville” and “the jerry-built cabins of raw brick and concrete” to better situate it in a technological lineage that passes through all the operations of metallurgy. If the soundscape is fundamentally connected to war, it is not only because the explosive lead and broken iron punctuate its lived or imagined duration, but also because the methods of describing the soundscape and the military means of its destruction have metallurgy in common
Acoustics · Archaeology · Architectural engineering · Art · Brick · Explosive material · Physics · Power (physics) · Sound (geography) · Soundscape · Visual arts · Engineering · Historical Studies and Socio-cultural Analysis · History
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |