The Instant of My Death, and
Demeure: Fiction and Testimony
Bibliographic Data
| ID | 5339773 |
|---|---|
| Authors | Rei Terada (0009-0007-3271-4162, corresponding author) |
| Year | 2001 |
| Volume | 30 |
| Issue | 3 |
| Pages | 132-136 |
| Publication date | 2001-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | SubStance (JOURNAL) |
| Journal identifiers | ISSN: 0049-2426 • E-ISSN: 1527-2095 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/sub.2001.0034 |
| OpenAlex | W1640876992 |
| Language | EN |
| Citations received | 9 |
This book presents Blanchot's "Instant of My Death," a tiny prose text of 1994 so spare that nearly any paraphrase overwhelms it, followed by Derrida's Demeure, a hundred-page lecture on the Blanchot text. In Blanchot's story--or memoir, or fantasy--the narrator recalls a young man nearly shot in the last days of World War II. A roving band of soldiers pillages his region of the French countryside, burning farms and killing the farmers' sons. The lieutenant orders his men to execute the young man, then moves away, distracted by the noise of an explosion. It turns out that the soldiers are actually Russians from the traitorous General Vlassov's army, and one of them, who explains this, dismisses the young man. Instead of losing his life, he loses only a manuscript, which the soldiers remove from his house. The narrator reflects on the strange feelings of elation and guilt that forever alter this man's now posthumous life, "as if the death outside of him could only henceforth collide with the death in him" (9). In a kind of postlude, the protagonist--clearly a literary figure now, more and more resembling Blanchot--meets with Malraux and Paulhan concerning the lost manuscript
Art · Fantasy · Feeling · Literature · Memoir · Paraphrase · Psychoanalysis · Shot (pellet) · Tragedy (event) · French Literature and Critical Theory · History · Philosophy · Psychology
Two forms of the outside
The ‘great religion of the elevator’
Speculation; or, Living in the Face of the Intolerable
Coetzee's stones
Ethical Complexities in Reading and Writing Autobiography
Abject Ontologies
The polyphonic performance of testimony in Svetlana Aleksievich’s Voices from Utopia
The Care of the Witness
Trauma, Authenticity and the Limits of Verbatim
| Unique citing works | 9 |
|---|---|
| Citations per year | 0,41 |
| Citation span | 2004 - 2022 (19) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |