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Setting the Stage

The Theatricality of Jewish Aramaic Poetry from Late Antiquity

Bibliographic Data

ID5348393
AuthorsLaura S Lieber (corresponding author)
Year2014
Volume104
Issue4
Pages537-572
Publication date2014-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Jewish Quarterly Review (JOURNAL)
Journal identifiersISSN: 0021-6682 • E-ISSN: 1553-0604
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/jqr.2014.0039
OpenAlexW2023406470
LanguageEN
Citations received2
References cited10

In this article, various elements of late ancient theatrical practices are used to inform the subject of the theatricality of Jewish liturgical poetry (piyyut). Evidence from handbooks of ancient oratory and declamation (the progymnasmata), discussions of Late Ancient theater (particularly mime and pantomime), and material artifacts suggest ways in which piyyutim were both performed and received. By viewing piyyutim through this lens, this paper sheds light on performative elements of Jewish religious poetry even as it situates these works in Late Ancient culture more broadly. The importance of this approach is illustrated through a study of four Aramaic poems associated with the festival of Shavuot that expand and retell biblical narratives: the binding of Isaac, the death of Joab, Moses' ascent of Sinai, and Potiphar's wife. (Translations of the poems constitute an appendix to the article

Aesthetics · Archaeology · Art · Judaism · Literature · Narrative · Performative utterance · Poetry · Theology · Wife · Archaeology and Historical Studies · Biblical Studies and Interpretation · Classical Antiquity Studies · History · Philosophy

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Unique citing works2
Citations per year0,18
Citation span2015 - 2023 (9)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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