The Intersections of Buddhism and Contemporary Korean Visual Culture
Bibliographic Data
| ID | 5654583 |
|---|---|
| Authors | Mina Kim (0000-0001-5639-9055, University of Alabama, corresponding author) |
| Year | 2025 |
| Volume | 16 |
| Issue | 11 |
| Pages | 1337 |
| Publication date | 2025-10-23 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Religions (JOURNAL) |
| Journal identifiers | ISSN: 2077-1444 • E-ISSN: 2077-1444 |
| Publisher | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/rel16111337 |
| OpenAlex | W4415464021 |
| Language | EN |
| References cited | 10 |
Religion has played a significant role in shaping social cohesion by providing stability and support that transcends the human capacity to resolve individual desires, aspirations, and concerns while contributing to national identity and unity. Religion has also become an inseparable element of human history, and the human desire to embody religious imagery has been with human history. Art has historically visualized the complex and subtle relationship between humans and religion directly and profoundly. In this way, religious works have provided a lens for examining how religious ideas permeate everyday life and influence cultural practices. This study explores how Buddhist philosophy and esthetics have influenced and coexisted in contemporary Korean artistic expression to emphasize the rich intersections between Buddhism and modern and contemporary Korean artworks. The concept of consilience, which refers to the integration of knowledge across diverse domains, aims to explain how Buddhist thought has transcended human conflict and promoted harmonious coexistence within Korean visual culture. The dynamic interplay between traditional Buddhist values and contemporary visual practices produces a rich cultural synthesis that highlights the importance of preserving Korea's artistic heritage and expands and fosters the development of global visual culture today
Buddhism · Cultural identity · Everyday life · Visual culture · Digital Media and Visual Art
| Highly cited | No |
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