Our icons
Ourselves. Britney Spears, Justin Timberlake, Kevin Federline, and the construction of whiteness in a post-race America
Bibliographic Data
| ID | 5675063 |
|---|---|
| Authors | Kimberly N Bachechi (Boston College, corresponding author), Kimberly Bachechi |
| Year | 2015 |
| Volume | 6 |
| Issue | 2 |
| Pages | 164-177 |
| Publication date | 2015-04-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Celebrity Studies (JOURNAL) |
| Journal identifiers | ISSN: 1939-2397 • E-ISSN: 1939-2400 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/19392397.2014.943674 |
| OpenAlex | W2032671690 |
| Language | EN |
| Citations received | 2 |
| References cited | 14 |
Using a qualitative content analysis of US general and entertainment magazines, this study explores the presentation of Britney Spears and her two main love affairs, Justin Timberlake and Kevin Federline. The article argues that in this avowedly post-race era, narratives of 'blackness' now join narratives of class as avenues used to define the failures of white-skinned bodies. Simultaneously, access to authentic whiteness remains, even for those with white skin, a formidable status to achieve. Moreover, the article posits that realisation of this status is not, as would be expected, based on the way an individual performs race, but instead is premised on their ability to execute a specific embodiment of highly traditional scripts of gender and sexuality
Art · Art history · Sociology · Visual arts · Gender Studies · Gender, Feminism, and Media · Media, Gender, and Advertising · Music History and Culture
| Citations per year | 0.4 |
|---|---|
| Citation span | 2021 - 2024 (4) |
| Highly cited | No |