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Telling lies

The interviews of David Bowie

Bibliographic Data

ID5675261
AuthorsElizabeth Mccarthy (0000-0002-9996-7988, Dún Laoghaire Institute of Art, Design and Technology, corresponding author)
Year2019
Volume10
Issue1
Pages89-103
Publication date2019-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCelebrity Studies (JOURNAL)
Journal identifiersISSN: 1939-2397 • E-ISSN: 1939-2400
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/19392397.2018.1559113
OpenAlexW2909140320
LanguageEN
Citations received2
References cited10

Critical interpretations of David Bowie as the ever-changing ‘chameleon of rock’ and ‘the faker’ are nothing new. Such interpretations usually use a liberal sprinkling of quotes from his countless media interviews. Yet the self-contradiction, half-truths, fabrications, and lies to be found in these interviews have their own corresponding story to tell. The subject of this essay is David Bowie in interview. Ranging from mid-1960s interviews to the most recent interviews, Bowie’s comments and pronouncements do not elucidate the artist or his work in any satisfying manner. However, what they do is provide a fascinating perspective on Bowie’s life and art. If we interpret Bowie’s media interviews as a narrative-of-self as well as a form of artist’s statement, what they continually reveal is that, to use Paul Ricoeur’s concept, ‘narrative-identity’ is a slippery process that involves both an affirmation of a definite self and a total rejection of that self. They also reveal that this ‘self’ – together with others – is both the interpreter and the interpreted. In this sense, Bowie’s stardom (his fame) is continually under revision by both Bowie himself and those who attempt to interpret it. ‘Bowie’ becomes a collaborative project with no real beginning and no real end; not even in death. The celebrity interview is an important (yet often overlooked) stage for mediation

Aesthetics · Art · Contradiction · Dilemma · Epistemology · Literature · Narrative · Nothing · Sociology · Music History and Culture · Musicology and Musical Analysis · Philosophy · Rhetoric and Communication Studies

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  • Memory, History, Forgetting

    Paul Ricoeur, Kathleen Blamey et al.•Memory, History, Forgetting•2004

  • Narrative Identity

    Paul Ricoeur•Philosophy Today•1991

  • Bowie the cultural alchemist

    Lisa Perrott•Continuum•2017

  • Reflections on a new ethos for Europe

    Open Access•Paul Ricoeur•Philosophy & Social Criticism•1995

  • Time and Narrative, Volume 1

    Paul Ricoeur, Kathleen Mclaughlin et al.•Time and Narrative, Volume 1•1984

Unique citing works2
Citations per year0,4
Citation span2021 - 2022 (2)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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