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Stars and the off-screen spectacle of film festivals

Charlotte Gainsbourg at Cannes

Bibliographic Data

ID5675352
AuthorsFelicity Chaplin (0000-0002-9063-0502, Monash University, corresponding author)
Year2019
Volume10
Issue4
Pages533-542
Publication date2019-10-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCelebrity Studies (JOURNAL)
Journal identifiersISSN: 1939-2397 • E-ISSN: 1939-2400
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/19392397.2019.1673007
OpenAlexW2979674787
LanguageEN
Citations received1
References cited9

According to Richard Dyer, star images ‘are always extensive, multimedia, intertextual’. Film festivals are sites where the intertextuality or transmediality of star images are often brought into play. The Cannes Film Festival, in particular, is a case in point, and Charlotte Gainsbourg is one star whose star image is intimately connected to the iconic festival as an important locus or site of her celebrity. Gainsbourg’s celebrity is situated at the intersection of three texts or discourses: film, fashion, and press; with film serving largely to legitimate the presence of the star at the festival, the interest falling more commonly on the red carpet, interviews and press conferences, and associated scandals (most notably, for Gainsbourg, through her association with festival enfant terrible, Lars von Trier). Throughout her thirty-year career, Gainsbourg has attended Cannes in several guises: actor, presenter, jury member, prize winner, provocateur, red carpet style icon, and unwilling participant in one of the festival’s most controversial moments in its seventy-year history. Building on the scholarship of Pamela Church-Gibson on fashion, celebrity and film festivals, and Marijke de Valck on film festivals and stars, this article investigates how the Cannes Film Festival has both shaped and exploited Gainsbourg’s star image

Advertising · Art · Art history · Box office · Film director · Film festival · Film studies · Icon · Intertextuality · Literature · Media studies · Movie theater · Sociology · Spectacle · Visual arts · Cinema and Media Studies · Law · Shakespeare, Adaptation, and Literary Criticism · Visual Culture and Art Theory

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    Open Access•Jan Švelch, Jaroslav Švelch•New Media & Society•2020

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    Ginette Vincendeau•Stars and Stardom in French Cinema•2000

  • Festivals and the Cultural Public Sphere

    Gerard Delanty, Liana Giorgi et al.•Festivals and the Cultural Public…•2011

  • ‘And the winner is …’

    Open Access•Marijke De Valck, Mimi Soeteman•International Journal of Cultural…•2010

  • It's So French! Hollywood, Paris, and the Making of Cosmopolitan Film Culture

    S Rockett•French History•2008

  • Film Festivals

    Open Access•Sde Marijke Valck, de Marijke Valck•Film Festivals•2007

Unique citing works1
Citations per year0,17
Citation span2020 - 2020 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1
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