Phil Davis
The process of acting
Bibliographic Data
| ID | 5682170 |
|---|---|
| Authors | Gary Cassidy (Bath Spa University, corresponding author), Simone Knox (0000-0002-5094-6203, University of Reading) |
| Year | 2018 |
| Volume | 13 |
| Issue | 3 |
| Pages | 315-332 |
| Publication date | 2018-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Critical Studies in Television The International Journal of Television Studies (JOURNAL) |
| Journal identifiers | ISSN: 1749-6020 • E-ISSN: 1749-6039 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/1749602018785833 |
| OpenAlex | W2808311215 |
| Language | EN |
| Citations received | 1 |
| References cited | 8 |
Phil Davis has had a distinguished career, receiving widespread acclaim for his 'invisible' acting. This article illuminates Davis' approach to acting via a transcribed interview conducted at the 'Acting on Television' symposium at the University of Reading in 2016. This material is framed by a contextualising introduction that proposes that John Flaus' concept of lamprotes is useful for understanding Davis' acting. The interview is structured by four case studies exploring Davis' work across a range of medium/genre contexts: feature film Vera Drake, docudrama The Curse of Steptoe, drama serial adaptation Bleak House and crime drama Sherlock
Art · Art history · Curse · Drama · Linguistics · Literature · Media studies · Performance art · Psychoanalysis · Sociology · Anthropology · Cinema and Media Studies · Cultural Industries and Urban Development · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 2020 - 2020 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |