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Washes and Hues

Reading for Colour in Marie NDiaye

Bibliographic Data

ID5694883
AuthorsShirley Jordan (0000-0002-0674-8998, Queen Mary University of London, corresponding author)
Year2017
Volume71
Issue3
Pages362-373
Publication date2017-07-01
Open AccessNo
TypeARTICLE
VenueFrench Studies (JOURNAL)
Journal identifiersISSN: 0016-1128 • E-ISSN: 1468-2931
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/fs/knx131
OpenAlexW2626559282
LanguageEN
Citations received1
References cited1

This article analyses Marie NDiaye's experimentation with colour and colour values, and argues that she sets out to unsettle the way we think about colour. For the main part colour - and indeed colour blindness - in the author's work have been explored through scrutiny of her progressively more detailed attentiveness to experiences and perceptions of skin colour in contemporary France. Yet colour is deployed and investigated in numerous distinctive and often painterly ways in her writing; ways which suggest her interest in other than racialized paradigms and which attune us to colour processing and human cognition, to emotional responses to colour, and to an ethical issue that is perpetually at stake in our engagement with her work: empathy. Through analysis of her colour-writing in selected texts, especially La Naufragée (1999), Rosie Carpe (2001), and Autoportrait en vert (2006), this article explores NDiaye's chromatic experimentation as a linchpin for asking probing questions about emotion, memory, the senses, perception, self-perception, creativity, and mental disorder in modern and contemporary writing in French. Specific dimensions of the author's colour practice, namely her interest in all-suffusing washes and her declining of hues of a given colour (here, yellow and green) are given detailed attention, and important painterly and literary intertexts are examined

Aesthetics · Art · Beauty · Creativity · Empathy · Linguistics · Perception · Reading (process) · Scrutiny · Visual arts · African history and culture studies · Literary Analysis and Cultural Studies · Media, Communication, and Education · Philosophy · Psychology · Social Psychology

  • Songs, singers, and their audiences in three texts by Marie NDiaye

    Pauline Eaton•Journal of Romance Studies•2025

  • Rosie Carpe and the Virgin Mary

    Open Access•Pauline Eaton•Religion and Gender•2016

Citations per year1
Citation span2025 - 2025 (1)
Highly citedNo

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