Understanding Urban Cultural Festivals as Social Infrastructure
Bibliographic Data
| ID | 5697144 |
|---|---|
| Authors | Brandy Quinn (0000-0002-0807-8465) |
| Year | 2025 |
| Volume | 19 |
| Issue | 7 |
| Publication date | 2025-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Geography Compass (JOURNAL) |
| Journal identifiers | ISSN: 1749-8198 • E-ISSN: 1749-8198 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/gec3.70042 |
| Language | EN |
| References cited | 69 |
This paper is concerned with the role that urban cultural festivals play in enhancing the quality and vitality of social life. It acknowledges that their reputation has become tarnished in recent years and that festivals now frequently feature in debates because they are charged with inciting tensions, exclusions and contestations. However, of note here is that cities tend to narrowly conceive of festivals as temporarily bounded moments of commodifiable spectacle. The fact that festivals function, on an ongoing manner, as embedded, sustained practices capable of supporting urban social living in numerous ordinary ways is rarely acknowledged, much less prioritised. This paper tries to shift prevailing thinking by advocating an understanding of festivals as embedded socio-cultural practices. Specifically, it argues that festivals can be conceived as social infrastructure that comprise distinct but entirely inter-connected components: material/built forms, socio-cultural materialities and immaterialities constructed through year-round practices and, social spaces constructed and enhanced in the moment of their staging. As well as underscoring the societal importance of festivals, using infrastructure as a framing idea helps develop a better understanding of how festivals function to support the socio-cultural well-being, vitality and engagement of urban dwellers
Events and Infrastructures
Planning in the multicultural city
Assessing the Publicness of Public Space
Arts, dance, cultural infrastructure, and city regeneration
‘You feel you’re not alone’
Festivals, public space and cultural inclusion
Events in the City
Brave New Neighborhoods
Thoughts on Public Space and Flourishing during Covid-19
Urban cemeteries’ potential as sites for cultural encounters
Everyday encounters with difference in urban parks
The transformative (and potentially discriminatory) possibilities of animating public space
What difference does ‘difference’ make? Identity, difference and the multicultural city
(In)visibilizing Vulnerable Community Members
Cross-cultural Encounters in Urban Festivals
Urban and rural preferences for cultural policies and infrastructures
Sharing, togetherness and intentional degrowth
Carnivals for elites? The cultural politics of arts festivals
Social infrastructure
The social and cultural values of live music
Making positive family memories together and improving quality-of-life through thick sociality and bonding at local community festivals and events
Liminality and festivals—Insights from the East
Towards a Political Economy of Social Infrastructure
(In)civility and the City
Beyond the pale
Making heterogeneous infrastructure futures in and beyond the global south
Navigating the city
Ambient Power
Developing creativity in tourist experiences
Mingling, observing, and lingering
Cultural festivals and the city
The rise of 'infrastructural populism
Working live. A sociological account of the entangled relations of liveness through festival work
Rethinking activism
Introduction
Performing Black life
Thoughts about Public Space During Covid-19 Pandemic
Migration in migration-related diversity? The nexus between superdiversity and migration studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |