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A British Documentary Film-Maker's Encounter With Empire

The Case Of Alexander Shaw, 1938-42

Bibliographic Data

ID5697662
AuthorsRavi Vasudevan (Schlumberger (Ireland), corresponding author)
Year2018
Volume38
Issue4
Pages743-761
Publication date2018-10-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHistorical Journal Of Film Radio and Television (JOURNAL)
Journal identifiersISSN: 0143-9685 • E-ISSN: 1465-3451
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/01439685.2017.1412921
OpenAlexW2782232911
LanguageEN
Citations received2

This article explores the work of British documentary film-maker and film expert, Alexander Shaw, undertaken in the colonies and dependent territories of empire. It draws on films Shaw made in Malaya, East Africa and India between 1938 and 1942, analysing elements of film technique, narration and production context. It suggests that the official film of empire could vary on the basis of the political context and film industrial setting it encountered. In the Indian case this issue is explored in the different types of films made by a local documentarist, A. Bhaskar Rao, for Shaw and a key Indian film-maker and producer, V. Shantaram. The main concern of the article is to understand how official documentary in the period of empire and decolonisation frames modernising imperatives of social, cultural and technological change in relation to the politics of race and ethnicity

Aesthetics · Ancient history · Archaeology · Art · Art history · British Empire · Context (archaeology · Decolonization · Empire · Ethnic group · Literature · Narrative · Period (music · Political science · Politics · Relation (database · Sociology · African history and culture studies · Anthropology · History · Law · Socioeconomic Development in Asia · South Asian Cinema and Culture

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    Open Access•Debabrata Mukherjee•Modern Asian Studies•2023

Unique citing works2
Citations per year0,5
Citation span2022 - 2023 (2)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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