Autonomous archives
Bibliographic Data
| ID | 5700596 |
|---|---|
| Authors | Shaunna Moore (corresponding author), Susan Pell (Simon Fraser University) |
| Year | 2010 |
| Volume | 16 |
| Issue | 4-5 |
| Pages | 255-268 |
| Publication date | 2010-07-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | International Journal of Heritage Studies (JOURNAL) |
| Journal identifiers | ISSN: 1352-7258 • E-ISSN: 1470-3610 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13527251003775513 |
| OpenAlex | W4253584138 |
| Language | EN |
| Citations received | 17 |
| References cited | 23 |
By providing evidence for the creation and continuation of claims to identities and places, archives facilitate the participation of multiple publics in dominant cultural and political domains. In the context of fluctuating relations between competing and unequal publics in contested narratives and spaces, the means to control representations of documents determines the ways in which groups are able to participate in the present and influence the future. While government archives have attempted to include and incorporate diverse histories, many social justice organisations and social movements have chosen to operate outside of this framework by preserving the records of their own activities. This article theorises a concept of ‘autonomous archives’ as a crucial component of democratic heritage practices. It develops this notion through an exploration of archives that have emerged within marginalised publics in Vancouver, Canada: the Union of British Columbia Indian Chiefs Archives, the Hope in Shadows Archive, and Friends of the Woodward's Squat Archive. Each of these archives point to the intersecting concerns of social identity, claims to place, and the political stakes of representation within heterogeneous and unequal publics. They also suggest the significance of archives in the formation of publics, within the broader context of cultural memory and democratic participation
Aesthetics · Cultural heritage · Democracy · Media studies · Narrative · Political science · Politics · Public relations · Publics · Sociology · Digital and Traditional Archives Management · History · Law · Memory, Trauma, and Commemoration · Oral History, Memory, Narrative Analysis
Paying It Forward
How to Curate a ‘Living Archive’
At work in the archive
Prefigurative remembrance
Slovenian folk-pop music as a place and nation making strategy between heritage and popular culture
Sharing and storing digital cultural records in Central Australian Indigenous communities
Diasporic archive and archival diaspora
Notes towards a typology of the DIY institution
House proud
Interference Archive
Mobilizing Urban Publics, Imagining Democratic Possibilities
The Labor of Curating
Interest in low-threshold employment among people who inject illicit drugs
Mothers, wives, friends
Popular music as cultural heritage
Places of popular music heritage
Between history and its trace
Memory, History, Forgetting
Citizenship and Identity
Community Histories, Community Archives
Refiguring the Archive
Bergson's non-archival theory of memory
Archives, records, and power
Constituting an archive
The ordinariness of the archive
Archives in formation
Archival action
Public History and the Study of Memory
A Theory of Local Autonomy
The politics of the liberal archive
Imagined communities
The making of memory
Archives, records, and power
The Allure of the Archive
Where the Bluebird Sings to the Lemonade Springs
Rethinking the Public Sphere
Publics and Counterpublics
Archive
| Unique citing works | 17 |
|---|---|
| Citations per year | 1,13 |
| Citation span | 2011 - 2026 (16) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 16 |