Object biographies in the digital age
Documentation, Life-Histories, and Data
Bibliographic Data
| ID | 5700815 |
|---|---|
| Authors | Chiara Zuanni (0000-0003-4027-0278, University of Graz, corresponding author) |
| Year | 2023 |
| Volume | 29 |
| Issue | 7 |
| Pages | 695-710 |
| Publication date | 2023-07-03 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal of Heritage Studies (JOURNAL) |
| Journal identifiers | ISSN: 1352-7258 • E-ISSN: 1470-3610 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/13527258.2023.2215733 |
| OpenAlex | W4377819884 |
| Language | EN |
| Citations received | 4 |
| References cited | 37 |
This paper explores how the framework of object biographies can be used to analyse our digital activities, both disseminating and expanding these same biographies. During the digitisation and cataloguing processes, biographies are not only – and in limited format – recorded, but are also expanded by the affordances of the digital medium. Similarly, digital interpretation and engagement programmes, and their reception by museum audiences contribute to the establishing of new relationships around the object and the emergence of new narratives. User-generated content is also a witness of contemporary interpretation and networks emerging from public interest in, and use of, cultural heritage objects. The case-study of the Victory of Samothrace, and its traces in the Louvre’s own digital offer and among audiences’ data is used to discuss the range of digital content surrounding an object. This paper argues that all these instances of an object in the digital sphere are worth studying as adding new chapters in its life-history, in an ever-changing scenario of both ephemeral and meaningful digital representations. The relationship between originals and this digital content is considered as multifaceted, documenting, mediating, and expanding the original object biography, but also enabling digital surrogates to develop their own independent biographies
Affordance · Archaeology · Art · Cultural heritage · Digital content · Documentation · Human–computer interaction · Literature · Media studies · Multimedia · Narrative · Sociology · Visual arts · Witness · World Wide Web · Computer Science · Cultural Heritage Management and Preservation · Digital and Traditional Archives Management · History · Museums and Cultural Heritage · Artificial Intelligence
Art And Agency
Virtual Ethnography
Agency, Biography and Objects
Instagram, Flickr, or Twitter
The cultural biography of things
Netnography
Using Social Media as a Source for Understanding Public Perceptions of Archaeology
Visually Imagining Place
Challenging Heritage Visualisation
Unintended Collaborations
The Legacy of Nineteenth-century Replicas for Object Cultural Biographies
Museum objects and Instagram
Institutional Ecology, `Translations' and Boundary Objects
Letting Go? Sharing Historical Authority in a User-Generated World
Notes on the Life History of a Pot Sherd
Necrography
The cultural biography of objects
D heritage visualisation and the negotiation of authenticity
The Louvre going Apeshit
The mystery of the "spinning statue" at Manchester Museum
The Digital Laocoön
Theorizing Born Digital Objects
Reinvigorating object biography
Objects and the Museum
The heritage of Brexit
Social Networks and the Creation of the Pitt Rivers Museum
| Unique citing works | 4 |
|---|---|
| Citations per year | 2 |
| Citation span | 2024 - 2026 (3) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 4 |