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(Re-)valuing and co-creating cultures of water

A transdisciplinary methodology for weaving a live tapestry of Blue Heritage

Bibliographic Data

ID5701244
AuthorsKim Carlotta Von Schönfeld (0000-0002-1166-0616, CITCEM - Centre for Transdisciplinary Studies “Culture, Space and Memory”, Faculty of Arts and Humanities of the University of Porto, Porto, Portugal, corresponding author), Ana Clara Roberti (0000-0001-6985-5435, CITCEM - Centre for Transdisciplinary Studies “Culture, Space and Memory”, Faculty of Arts and Humanities of the University of Porto, Porto, Portugal), Bruno Lopes (0000-0002-6705-2695, CITCEM - Centre for Transdisciplinary Studies “Culture, Space and Memory”, Faculty of Arts and Humanities of the University of Porto, Porto, Portugal), Gisele Cristina Da Conceição (0000-0002-2251-805X, CITCEM - Centre for Transdisciplinary Studies “Culture, Space and Memory”, Faculty of Arts and Humanities of the University of Porto, Porto, Portugal)
Year2023
Volume29
Issue10
Pages1110-1127
Publication date2023-10-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueInternational Journal of Heritage Studies (JOURNAL)
Journal identifiersISSN: 1352-7258 • E-ISSN: 1470-3610
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13527258.2023.2234349
OpenAlexW4384129258
LanguageEN
Citations received5
References cited45

This article develops a transdisciplinary methodology for valuing and co-creating ‘tapestries’ of Blue Heritage. Given impending threats to the environmental sustainability and maintenance of Cultural Heritage surrounding oceans and freshwaters, it is increasingly urgent to develop a methodology that addresses the significance of the past and its rapport with the continuous future creation and valuing of what we here develop as ‘Cultures of Water’. This idea encompasses water-related practices that occur in various ways across diverse groups and arenas. Therefore, the proposed methodology is informed by several disciplines, notably History, Ethnography, Cultural Heritage, Arts, Design, Planning, and Geography. It emphasises the creation of a continuously evolving and changing tapestry of knowledge, jointly threaded by local populations, governmental and non-governmental institutions at various levels, industries, businesses, and academia. The tapestry is woven by connecting diverse disciplinary methodologies along specific threads, three on content and six on methods and related key questions. This article presents the methodology and reflects on its practicability and potential based on autoethnographic reflections, literature reviews, and first findings from implementing parts of the methodology in northern Portugal

Aesthetics · Archaeology · Art · Cultural heritage · Discipline · Engineering ethics · Environmental ethics · Ethnography · Social science · Sociology · Sustainability · The arts · Transdisciplinarity · Visual arts · Weaving · Anthropology · Conservation Techniques and Studies · Cultural Heritage Management and Preservation · Engineering · History · Museums and Cultural Heritage · Ecology

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Unique citing works5
Citations per year2,5
Citation span2024 - 2025 (2)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 5

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