Effort reduction in articulation in sign languages and dance

Bibliographic Data

ID5708440
AuthorsDonna Jo Napoli (0000-0001-6320-1086, Swarthmore College, corresponding author), Stephanie Liapi, Stephanie Liapis (Swarthmore College)
Year2019
Volume3
Issue1
Pages31-61
Publication date2019-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Cultural Cognitive Science (JOURNAL)
Journal identifiersISSN: 2520-100X • E-ISSN: 2520-1018
PublisherSpringer Science and Business Media LLC (PUBLISHER)
DOI10.1007/s41809-019-00027-3
OpenAlexW2964276997
LanguageEN
Citations received7
References cited84

Sign languages exhibit the drive for ease of articulation found in spoken languages, particularly in fast and casual conversation, where the methods that reduce effort are shown here to be limited by the need to maintain recognizability. Participatory dance, which uses the same articulators as sign languages plus additional ones, also demonstrates methods of reducing biomechanical effort, analogous to those seen in sign languages, and, again, limited by the need to maintain recognizability of the dance figures/phrases. However, when we look at performance language (here, sign poetry) and performance dance, we find a contrast: sign language poetry uses reduced and enhanced forms, while performance dance does not use reduced forms but often uses enhanced forms. We attribute this contrast to the different functions of the different types of language and dance, with attention to the notion of intention in performance dance

Art · Casual · Dance · Linguistics · Literature · Manually coded language · Sign language · Sociolinguistics of sign languages · Action Observation and Synchronization · Computer Science · Hearing Impairment and Communication · Language, Metaphor, and Cognition · Mathematics · Philosophy · Artificial Intelligence

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