Cross-Dressed and Crossing over from Stage to Television
Bibliographic Data
| ID | 5715244 |
|---|---|
| Authors | Jonathan Bollen (0000-0003-3104-368X, corresponding author) |
| Year | 2010 |
| Volume | 134 |
| Issue | 1 |
| Pages | 141-150 |
| Publication date | 2010-02-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Media International Australia (JOURNAL) |
| Journal identifiers | ISSN: 1329-878X • E-ISSN: 2200-467X |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/1329878x1013400115 |
| OpenAlex | W2212958122 |
| Language | EN |
| Citations received | 1 |
| References cited | 3 |
Female impersonation was a popular aspect of light entertainment in mid-twentieth century Australia. On stage, the Kiwis Revue Company, an army entertainment unit from New Zealand, toured extensively for eight years from 1946, with three female impersonators as the highlight of an all-male bill. Female impersonation was also standard fare on variety shows during television's first decade. In such sketch comedies and spoofs lie television's strongest claims to inheriting the traditions of variety performance from the stage. Comedic drag roles, in particular, came directly from the stage, for the visual incongruities of costume, wigs and make-up would have had less currency on radio. This article explores the cross-gendered dimensions of light entertainment on television and stage, drawing on film and television recordings at the National Film and Sound Archive and research at Australia's performing arts collections
Advertising · Art · Currency · Entertainment · Media studies · Sketch · Sociology · Visual arts · Cinema and Media Studies · Computer Science · Cultural Industries and Urban Development · History · Theatre and Performance Studies
| Citations per year | 0.13 |
|---|---|
| Citation span | 2018 - 2018 (1) |
| Highly cited | No |