Moving pictures
Intersections between art, film and feminism in the 1970s
Bibliographic Data
| ID | 5717460 |
|---|---|
| Authors | Amy Tobin (University of York, corresponding author) |
| Year | 2015 |
| Volume | 4 |
| Issue | 1 |
| Pages | 118-134 |
| Publication date | 2015-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Moving Image Review & Art Journal (MIRAJ (JOURNAL) |
| Journal identifiers | ISSN: 2045-6298 • E-ISSN: 2045-6301 |
| Publisher | Intellect (PUBLISHER • GB) |
| DOI | 10.1386/miraj.4.1-2.118_1 |
| OpenAlex | W2737741352 |
| Language | EN |
| Citations received | 1 |
This article traces the intersections and overlaps between women working in art, avant-garde film and cinema in the 1970s. I argue that the context of second-wave feminism connected individuals working in diverse practices through shared interrogations of form and content as well as the interdisciplinary infrastructure of the women's movement. However, I also consider the impact of different contexts, communities and media on artwork, film and video by women artists to trace a complex field of political aesthetic practices influenced by feminism. My overarching argument is that collaboration, broadly conceived, provides a way to think through the formation of this alternative cultural scene
Aesthetics · Art · Feminism · Media studies · Movie theater · Political science · Politics · Sociology · Visual arts · Art, Politics, and Modernism · Artistic and Creative Research · Cinema and Media Studies · Gender Studies · History · Law
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |