Peter Campus
Opticks
Bibliographic Data
| ID | 5717517 |
|---|---|
| Authors | Catherine Elwes (University of the Arts London, corresponding author) |
| Year | 2012 |
| Volume | 1 |
| Issue | 1 |
| Pages | 107-110 |
| Publication date | 2012-01-23 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Moving Image Review & Art Journal (MIRAJ (JOURNAL) |
| Journal identifiers | ISSN: 2045-6298 • E-ISSN: 2045-6301 |
| Publisher | Intellect (PUBLISHER • GB) |
| DOI | 10.1386/miraj.1.1.107_4 |
| OpenAlex | W2003723482 |
| Language | EN |
A reappraisal of a pioneering video artist in the contemporary culture of the moving image. The Moving Image Review & Art Journal (MIRAJ) is the first international peer-reviewed scholarly publication devoted to artists’ film and video, and its contexts. It offers a forum for debates surrounding all forms of artists’ moving image and media artworks: films, video installations, expanded cinema, video performance, experimental documentaries, animations, and other screen-based works made by artists. MIRAJ aims to consolidate artists’ moving image as a distinct area of study that bridges a number of disciplines, not limited to, but including art, film, and media
Art · Art history · Library science · Computer Science · Photography and Visual Culture
| Highly cited | No |
|---|