Countering colonial nostalgia and heroic masculinity in the age of accelerated climate change

This article explores two screen-based artworks: Katja Aglert's Winter Event - Antifreeze (2009-18) and Isaac Julien's True North (2004) respectively, that exemplify diverse viewpoints contesting the essentialized identities of the Arctic past. These artworks recover the histories of women, the Inuit and African American men's involvement in polar exploration, reimagining heroic narratives from historically excluded or ignored perspectives. By employing irony and humour, these artworks expand our understanding of how media-based art can respond to the ironies of a warming planet and challenge colonial nostalgia for White male heroism. The artworks traverse not just the human imperialism of the colonial era but also the newer imperialism in the age of the Anthropocene and the Capitalocene, decentring the mythic and exotic qualities of expedition narratives. Ultimately, the irreverent artwork encourages us to rethink an aesthetics of the distanced sublime from Romantic aesthetics and its roots in European Universalism, promoting a more inclusive and intersectional approach to the Arctic and its representation

Aesthetics · Archaeology · Art · Art history · Colonialism · Literature · Masculinity · Narrative · Sociology · Sublime · Adventure Sports and Sensation Seeking · Climate Change Communication and Perception · Gender Studies · History · Polar Research and Ecology

• Anthropocene, Capitalocene, Plantationocene, Chthulucene

  Open Access•Donna Haraway•Environmental Humanities•2015

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